Left to right: Sarah Kernohan, Laminal Structure #10, pigment print on Hahnemuhle Museum Etching paper, 2022. Gareth Lichty, Warp, ink on paper, 2018. Mark Prier, Optic Yellow #1, tennis balls, braided steel wire, 2022. Images courtesy of the artists.

again and again and again


 Sarah Kernohan

Gareth Lichty 

Mark Prier

Saturday, January 14, 1-4 pm
Exhibition from January 6 to 29, 2023
 
Again and again and again. Layers stack and gather. A cache accretes. Over and over.
Everything in series.
Sarah Kernohan builds collages using photographic fragments of rocks she has
gathered over time. Like an archaeologist rebuilding artifacts from scrim found on a dig,
she assembles and re-configures, making new, hypothetical rock formations.
Gareth Lichty translates his large-scale installations into woodcut prints on paper.
Meticulously cutting plates on a table saw, the narrow vertical lines and bold colours
create optical distortion.
Mark Prier coaxes coolers, ropes, and tennis balls into unsettling but mundane forms.
Tennis balls in uncertain stacks refuse to be just yellow or green. Ropes bore, puncture,
and perforate. Coolers collect but spill forth.

Image credits (left to right):
Sarah Kernohan, Laminal Structure #10. Pigment print on Hahnemühle Museum
Etching paper. 2022.
Gareth Lichty, Warp. Ink on paper. 2018.
Mark Prier, Optic Yellow #1. Tennis balls, braided steel wire. 2022.
Images courtesy of the artists.

read a review of the exhibition by Regina Haggo here